Want a break from quilting? Try a new bag (Bag making 101)

June 2024

Covering Quilts

Want a break from quilting? Try a new bag (Bag making 101)

by Sandra Starley

 

Quilted bags, totes, and fabric pouches of all sizes are having a moment. Why not join in on the fun?
As I have mentioned several times, giving yourself a challenge, and trying new things is a terrific way to exercise your brain. And what better way to work your brain than learning a new skill like bag making?

There are sew many options from super simple bags with button closures to fancy purses or overnight bags with multiple compartments, see-through mesh or plastic pockets, and numerous zippers and everywhere in between. There are bags for every skill level and time commitment, from a quick evening clutch made in an afternoon to a multi-day effort for the perfect bag for your next travel adventure.

As you might guess, there are many different options for learning how to make a bag and finding patterns, from loads of downloadable PDFs on Etsy and websites to an array of online tutorials and classes (both free and paid). There are many materials available to help make the process easier and more efficient. For most bags you will need a stabilizer to give support and stability to your bag. For many bags you will need zippers and or other “hardware” and then also mesh or sewable plastic or vinyl for pockets or compartments. If you are feeling adventurous you can experiment with tapestry/ upholstery type fabric or even cork fabric, yes, you can really sew with cork! Are you getting excited about making a bag? I hope you are. Remember, one secret to staying young is continuing to learn new skills.

Personally, I had not made a bag since I made a simple fabric bag/purse without zippers or pockets about 20 years ago. Then I was challenged to make a bag as an Island Batik Ambassador. One of our sponsors is ByAnnie, a Utah-based company, owned by Annie Unrein, built upon patterns and supplies for making bags and other containers. For my first Challenge in 2022, I played it safe and made an easy pattern – Contain Yourself. I made all three sizes of soft sided fabric bins from the pattern. I got braver in 2023 and made two bags from the Night and Day pattern – a purse and mini tote with zippers, and magnetic snaps (see photo). It was challenging to work with zippers and sewing magnets was interesting, but then I do like a challenge. Both patterns had bonus “add-on videos” that really helped me in following the step-by-step patterns. This year, I will be making more containers/bins, this time with zippers, from the Room With a View pattern.

Have fun and be creative. You can use new fabric to make a bag or recycle leftover blocks or UFOs (unfinished objects) or old shirts. You can even upcycle an old quilt. Using a quilt as prequilted fabric is a quick way to make a brand-new bag. And speaking of easy, try the sew by numbers, quilt as you go batting by June Tailor. The pattern is printed on the batting, and you simply follow the numbers to create a bag (like paint by numbers). Another great option is the Mondo Bag, one of the most popular quilty bags ever. The QuiltSmart pattern is printed on fusible interfacing, and you sew on the lines to create an easy, really big bag perfect for carrying a quilt to show and tell at your next guild meeting. Explore the internet for many more options and challenge yourself!

 

a rocky road quilt

Night and Day bags

Night and Day bags. (Image courtesy of Annie Pattern)

Sandra Starley is nationally certified quilt appraiser, quilt historian, and avid antique quilt collector. She travels throughout the U.S. presenting talks on antique quilt history, fabric dating classes and trunk shows as well as quilting classes. Learn more at utahquiltappraiser.blogspot.com. Send your comments and quilt questions to SandraStarley@outlook.com

The Churn Dash or Monkey Wrench pattern, Part II

May 2024

Covering Quilts

Make it modern: The Churn Dash or Monkey Wrench pattern, Part II

by Sandra Starley

 

As I mentioned last month, if you have not been making butter or repairing wagons, you may not be aware of the history behind the classic Churn Dash or Monkey Wrench quilt pattern.

A brief refresher: “Churn Dash” is based on the block’s similarity to a dash or dasher; the cross-shaped paddle in the center of a

butter churn. “Monkey Wrench” is based on the block’s resemblance to a fixed carriage or wagon wrench and to adjustable wrenches (look at the top row of the block and visualize the gripping teeth of a wrench). The quilt block and these names and many others have been around since about 1855.

If you ask quilters for their favorite quilt design, of course, you will get a variety of responses, but many will answer with the Churn Dash or Monkey Wrench block. It is a great pattern for beginning quilters, but intermediate and advanced quilters enjoy it as well. There are more than 40 published names for the traditional block, another indicator of the pattern’s strong approval with quilters. The block is a variation of a nine patch; composed of a center square, half square triangle corners with four rectangle sets or squares in between. The blocks are pieced as either an even nine patch or uneven nine patch.

The pattern has never gone out of style and is still extremely popular today. If you do a search for Churn Dash, you will find a variety of antique, traditional, modern blocks, and quilts. There is so much inspiration and direction for your next project. I have enjoyed playing, creating, and experimenting with the traditional block over the years and giving it a modern twist. Like my Echoing Churn Dash (see photo) made for Quiltmaker 100 Blocks, many modern versions highlight multiple Churn Dashes in one block reminiscent of nesting dolls.

You will see Churns or Wrenches all over the quilting universe from Pinterest boards to Etsy shops, how to quilt books, quilt history books, blog hops, quilt alongs, social media accounts, and many magazines – including the cover of the newest issue of American Patchwork & Quilting (June 2024) that is arriving to newsstands now. And speaking of that cover quilt, Scrappy Churn Dash by Jen Kingwell is a unique modern version of the classic pattern. It features an uneven nine patch with neighboring blocks sharing their corner squares and a single blue fabric for the large centers and backgrounds.

 

a rocky road quilt

Echoing Churn Dash

Echoing Churn Dash, 12” block – original version of traditional block. (Image courtesy of the author)

 

Paired with scrappy Churns, it creates an interwoven look of churn chains and crosses. And indicative of the pattern’s popularity, the cover churn dash is just one of the quilts featuring the block in that issue. The second is a more traditional version in red, white, and blue by Joanna Figueroa and is part of an ongoing series of the two designers sharing their distinctive takes (modern and traditional) on classic blocks. Joanna’s version, while traditionally pieced together, has a creative color placement (reversing the color placement of the rectangles). This results in an original look of a cross in an octagon or a plus sign on a stop sign instead of the standard Churn Dash shape. You can see both in the magazine or with a Google search or on their Facebook or Instagram accounts. I hope you are inspired to dash in and join the fun with this classic block.

 

Sandra Starley is nationally certified quilt appraiser, quilt historian, and avid antique quilt collector. She travels throughout the U.S. presenting talks on antique quilt history, fabric dating classes and trunk shows as well as quilting classes. Learn more at utahquiltappraiser.blogspot.com. Send your comments and quilt questions to SandraStarley@outlook.com

Quilt history revisited: The Churn Dash or Monkey Wrench pattern

April 2024

Covering Quilts

Quilt history revisited: The Churn Dash or Monkey Wrench pattern

by Sandra Starley

 

Have you been churning butter or fixing wagons recently? If not, you might appreciate a bit of background information on the origins of the two most common names for this versatile nine-patch pattern. The name “Churn Dash” is based on the block’s similarity to a dash or dasher, the cross-shaped paddle in the center of a butter churn. “Monkey Wrench” is based on the block’s resemblance to a fixed carriage or wagon wrench and to adjustable wrenches (look at the top row of the block and visualize the gripping teeth of a wrench). The block and these names have been around since about 1855 with the first publication in 1884 as “Double Wrench” in Farm and Fireside magazine.

Many quilt historians have discussed the origins of the two names. In 1915, Marie Webster noted that “inanimate objects, particularly those about the house, inspired many names for patterns” and mentioned both block names. Similarly in 1929, Ruth Finley observed, “A source of quilt name inspiration quite as rich as political feeling was found in the trades and occupations of the times. … “The Double Monkey Wrench,” “The Churn Dash” … all these are names, previously noted, that came from women’s familiarity with old-time callings.” And in 1931, Ruby McKim wrote that “The wrench design is an authentic, old-time quilt pattern, and a very typical one, too.”

These utilitarian names were likely familiar to early quilt makers well acquainted with butter Churns and Wrenches along with Broad Axes, Holes in the Barn Doors, Hens and Chickens, and Shoo Flies (additional names for the blocks). Regardless of which one of the 40-plus published names is used, the block is a variation of a nine-patch; composed of a center square, half square triangle corners with four rectangle sets or squares in between. The blocks are pieced as either an even nine-patch or uneven nine-patch. Do not be confused, the names Monkey Wrench and Churn Dash have been used interchangeably for many years to refer to both versions.

Pattern designers are probably responsible for some of the more romantic names for the blocks like: True Lover’s Knot, Bride’s Knot and Love Knot. This simple block can have a soft feel made in pink and white but in browns and shirtings has quite a masculine feel. The block is a true chameleon, taking on the flavor of the fabrics, setting and sashing used. Modern quilters are using this characteristic to make this traditional block their own. More about that next issue and hints to make the pattern uniquely you. Whether that is making a wonky version, block in block version or using crisp, clean, modern colors. There is a popular quilt along right now highlighting the continued popularity of this timeless pattern.

And speaking of modern, the quilt shown here is antique but has a very fresh feel. This unusual Amish version, about 100 years old, would be the star of any modern quilt show. The uneven fading of two different purples has created an unexpected and innovative color placement with striking diagonal movement from light to dark. While the original quilter might be dismayed, you can color me inspired, and I hope you will be inspired, too!

 

a rocky road quilt

An Amish Churn Dash

An Amish Churn Dash, circa 1920; 70” X 80” from the Donna Starley Collection. (Image courtesy of the autho

Sandra Starley is nationally certified quilt appraiser, quilt historian, and avid antique quilt collector. She travels throughout the U.S. presenting talks on antique quilt history, fabric dating classes and trunk shows as well as quilting classes. Learn more at utahquiltappraiser.blogspot.com. Send your comments and quilt questions to SandraStarley@outlook.com

Ocean Waves quilts revisited

March 2024

Covering Quilts

Ocean Waves quilts revisited

by Sandra Starley

 

Nature has long inspired quilters. As American quilting developed in Eastern seaboard settlements, it is not surprising that early quilt designs and pattern names often carried a nautical flair. In New England, quilts were influenced by the lives of the people who lived and worked there, and for many New Englanders, the overwhelming force was the ocean. Many traditional quilt patterns honor their influential neighbor. Some common New England nautical patterns are Mariner’s Compass, Ship of Life, Storm At Sea, Ocean Waves, and World Without End. The Ocean Waves quilts did not remain on the East Coast but traveled westward with the migrating population. By the latter half of the 19th century, “the Ocean Waves pattern was a staple of the American quiltmaker’s repertoire – even on the vast plains and in mountain reaches where the ocean itself seemed little more than a traveler’s tall tale or a half forgotten dream” (“American Patchwork & Quilting,” 1985). In the early 20th. century, the land-locked Midwestern Amish made many amazing full-sized quilts in the pattern, as well as crib quilts featuring just two or three blocks.

The pattern initially ap-peared in about 1855 and was very popular from 1880 to 1920. It was first published by Farm and Fireside in 1894 as Ocean Waves, which has remained the most common name for the block. Other published names include Waves of the Ocean, Odds and Ends, Odd Fellows Quilt, and Our Village Green. It features pieced triangle waves that cascade across the quilt, especially when the blocks are set on point creating interlocking X’s or a lattice look. For a calmer sea, the blocks can be straight set, which results in a cross design or grid pattern. The pattern is a “quilt of illusion” as it tricks the eye, and it is often difficult to see the pattern and determine where one block ends and another begins. Unlike many quilt blocks that are framed, Ocean Wave blocks are generally joined together without sashing strips, in an allover design. The pattern consists of four elongated hexagons (or lozenges) pieced around a center diamond or square to create an octagon block. It was traditionally hand pieced with difficult inset and partial seams. In 1935, quilt historian Carrie Hall noted it is “one of the authentic old-fashioned quilt patterns with a tang of the sea which shows its coastwise ancestry. It was a decided favorite with those who wished to put considerable piecing into the making of a beautiful quilt.”

 

a rocky road quilt

An Ocean Waves quilt top

An Ocean Waves top, circa 1890, 74” x 92”, from the Sandra Starley Collection. Image courtesy of the author

If you have always wanted to make one, you will be happy to learn there are many new techniques to make your journey easier and help you avoid sea sickness. One trick is to divide the block into its four lozenge components and treat each as separate blocks. This method divides the large center diamonds or squares into four segments and eliminates the inset seams. If you like precise paper piecing and working in small scale, stop by Candace Moore’s blog for a 6-inch block pattern (nancycabotsewalong.blogspot.com/2013/08/ocean-wave-quilt-block.html).

Similarly, Bonnie Hunter has created an innovative pattern. She divided the pattern into two blocks: block A has four triangle sections (16 half squares), and block B features the center diamond with four triangles on each corner to square it up (uiltville.blogspot.com/2005/06/scrappy-ocean-waves.html).

Maybe this is the year to turn your big scrap basket into a lovely Ocean Waves quilt. Enjoy the trip; I hope you will have smooth sailing.

Sandra Starley is nationally certified quilt appraiser, quilt historian, and avid antique quilt collector. She travels throughout the U.S. presenting talks on antique quilt history, fabric dating classes and trunk shows as well as quilting classes. Learn more at utahquiltappraiser.blogspot.com. Send your comments and quilt questions to SandraStarley@outlook.com

Journeys in quilt history: Political patchwork edition

February 2024

Covering Quilts

Journeys in quilt history: Political patchwork edition

by Sandra Starley

Learning about the past can be fun! One of the things that I love most about collecting antique quilts, blocks, and fabrics are all the interesting tidbits of history that I have gleaned along the way. I have learned about so many aspects of American history by studying fabrics and quilts in my collection. For example, from an 1850 Quaker signature quilt made near Philadelphia with a hand-drawn picture of a whale and a boat, I discovered that Quakers were prominent in the whaling industry. Similarly, from inkings of grapes on another signature Quaker quilt from the same era I learned that grape growing dated all the way back to William Penn. And during the mid-1800s Pennsylvania had a wine production boom. It is impressive what you can learn from quilts.

Recently, my friend Mea sent me a photo of some interesting antique fabric she had found on a new to her quilt. The quilt had tiny pieces, but she could see partial printed words or text on a couple of fabrics and thought I might have an idea about it. As luck would have it (or almost 20 years of antique fabric study), I immediately recognized it as a fabric that I had researched: Fabric that was related to famous politicians and United States presidential campaigns. I had found an intriguing antique printed fabric advertising the presidential campaign of Ulysses S. Grant with the text “US Grant, First in Peace and First in War” and “Let Us Have Peace” with a depiction of Grant. Interesting mix of war and peace slogans, but it was soon after the Civil War. Later, during a tour of the Manchester New Hampshire Historical Society with the American Quilt Study Group (AQSG), we were treated to a selection of antique swatch books from the local fabric mills. I was delighted to find another US Grant campaign fabric with the same slogan along with his 1871/1872 running mate Henry Wilson. I have yet to find either Grant fabric in a quilt, but my friend had found campaign fabric from Grant’s 1872 presidential opponent, Horace Greeley, in her quilt! And I had photographed that very fabric and several other Greeley fabrics in the same swatch book that had the Grant fabric. The fabric mill was covering all its bases and printing fabrics for both campaigns — an equal opportunity printing company for sure.

 

a rocky road quilt

1871-72 Horace Greeley presidential campaign fabric

1871-72 Horace Greeley presidential campaign fabric. Left – fabric in New Hampshire swatch book. Right – fabric in Tumbling Block Quilt Top, private collection. (Image courtesy of the author)

The fabric she had found is interesting as it does not have Greeley’s name on it at all. Instead, the fabric features alternating stripes of his trademark heavy overcoat, beets (yes, beets), and the words “What I Know About.” Greeley authored a book called, “What I Know About Farming,” hence the text and the root vegetable. Another striped fabric from the same book features his signature top hat and glasses, along with his initials and farm equipment (axe and sickle). He was a newspaper editor and most famous for his entreaty “Go West, Young Man!” Greeley was not considered fashionable in 1871 and did not have the dashing bravado of General and incumbent President Grant. Greeley was relentlessly mocked by political writers of the time including cartoonist Thomas Nast of Harper’s Weekly. Do a search for Thomas Nast and Greeley to see the images. Grant prevailed and Greeley died soon after. His fabric lives on in swatch books and quilts as does that of President Grant. Political campaign fabrics are still being made and collected. Have you found any interesting fabrics lately?

 

Sandra Starley is nationally certified quilt appraiser, quilt historian, and avid antique quilt collector. She travels throughout the U.S. presenting talks on antique quilt history, fabric dating classes and trunk shows as well as quilting classes. Learn more at utahquiltappraiser.blogspot.com. Send your comments and quilt questions to SandraStarley@outlook.com